Matthew Dibble
Represented by Tregoning & Company • 1300 W. 78th St. • Cleveland, OH 44102 216.281.8626
Bill@TregoningAndCo.com
Training
Cooper School of Art, Cleveland, OH 1978
Selected Exhibitions
- Tregoning & Company, Cleveland, OH. April 2008
- South Wing Gallery, Cleveland Heights, OH. April 2008
- City Artists at Work, Cleveland Plain Dealer, Cleveland, OH. April 2008
- B. K. Smith Gallery, Lake Erie College, Painesville, OH. April 2008
- 50th Chautauqua National Exhibition of American Art, Chautauqua, NY. June 2007
- Art In The Village 5700 Gallery, “Plastique Informale,” Cleveland, OH. June 2007
- Butler Institute of American Art, 70th Midyear Exhibition, Youngstown, OH. July 2006
- Studio Of Five Rings, “cavalcade of oddballs” Cleveland,OH. January 2006
- Beaker Gallery, “sawtelle, the sequel” Tampa, FL. October, 2004
- Thrive, an artspace, “Beyond the Surface” Cleveland, OH. April, 2004
- domestic setting, “Sequel” Los Angeles, CA. March, 2003
- Millworks, Akron, OH. October, 2002
- Gallery U, The ARTcade Project, Cleveland, OH. September, 2002
- superior (an exhibition space), Cleveland, OH. April 2002
- C.A.C.P. Gallery, Cleveland, OH. January 2001
- Fruit Avenue Gallery, Cleveland, OH. June 1999
- Erie Art Museum, Erie, PA. April 1998
- Massillon Museum, Massillon, OH. March 1996
- Butler Institute of American Art, Youngstown, OH June 1994
- Fine Arts Association, Willoughby, OH. May 1994
- Huntington Museum of Art, Huntington, WV. March 1994
- Butler Institute of American Art, Youngstown, OH. June 1993
- Moreau Gallery, St. Mary’s College, South Bend, IN. January 1990
- Fine Arts Association, Willoughby, OH. September 1990
- C.A.G.E., Cincinnati, OH. September 1989
- Karamu House, Cleveland, OH. November 1984
- SPACES, Cleveland, OH. July 1984
- Cleveland Museum of Art, Cleveland, OH. 1980, 1984, 1985
View
When asked to make a statement about my work, part of me begins to draw back. Something is seen that makes me uncomfortable. Words become unsatisfying. I’ve been there before, so I stay with it and begin to realize that I don’t know. Relaxing a bit, certain possibilities become open to me. There is a chance that if I’m quiet enough, it can work through me. My work is what happens in the course of that process—the encounter between myself, the present moment, and the materials at hand.
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